My work is about production and circulation of social imaginaries, i.e. ways and institutions in which we imagine ourselves and what we do to sustain (or escape) these.

It often involves questioning production of spectatorship: Systems and structures of presentation and circulation of both images as well as the bodies these images address, depict or exclude.

I ask questions of address, desire and language in relation to contexts such as architecture, public space, speech, view, landscape, cinema, abstraction and power.

For more information, see http://archive.katyasander.net/

Follow me on @katyasander


Monument for image production and image consumption

A national newspaper was published, one random day without warning, in two versions: The normal version, and another version exactly like the normal, except that all text and numbers would be missing. 

This project was realized in collaboration with one of the largest national daily papers in Denmark, Politiken.  The text-less version of the paper was given away for free along with any purchase of a newspaper that day.

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