Born 1970, lives and works in Copenhagen and Berlin.
SOLOEXHIBITIONS (in selection)
2013 Odense Fotographic Museum, Odense, Denmark. Curated by Ingrid Fischer-Jonge
2012 “9 Scripts from a Nation at War”, MoMa, New York City, NY.
2010 “A Landscape of Known Facts”, Project Art Centre, curated by Tessa Giblin, Dublin.
2008-2009 “9 Scripts From a Nation at War”, RedCat / Calarts Downtown Center for Innovative Visual, Performing and Media Arts, Los Angeles.
2008 “9 Scripts From a Nation at War”, Level2 Gallery, Tate Modern, London.
2008 “Darstellungen der Zukunft – Ein Science-Fiction” (“Production of Futures – A Science Fiction about Counting”, Künstlerhaus Stuttgart.
2007 “TIFO”, Generator, Trondheim, Norway. (cat.)
2007 Politics of Research II / “What is Capitalism?”, Tempelhof Airport / Zeppelin University, Berlin.
2005 “The Most Complicated Machines Are Made of Words”, MuMoK – Museum Moderner Kunst, Vienna, AU.
2004 “Was ist Öffentlichkeit?”, München Kunstverein, München, D.
2004 “In 2053 Malmö will no longer be Swedish”, Rooseum, Malmö, Sweden
2004 “Meaning is What Hides the Instability of ones Position” with Andrea Geyer, Esbjerg Kunstmuseum, Denmark
2002 “Double Cinema” (Open studio) ISCP, New York
2001 Studio & research recidency, Rooseum, Malmö, Sweden.
2001 “Safety Graffitti” for 9 1/5 Castles, in Eslöv, Sweden.
2001 “Recorders”, (with Francois Bucher) Location One, New York
2001 “Temporary Occupations and Other Double Binds” (with Alex Villar), Halle_für_Kunst, Lüneburg, Germany (Cat.)
2001 ”Vollsmose and the painting of balconies” for CUDI - Centre for Urban Dialogue and Information, Odense, Denmark.
2001 “Outerplace/Who is the Austronaut?”Lichthaus Bremen (with Alex Villar),Bremen, Germany (Cat.)
2001 Leipzig Kunsthalle (grant, residency & show), Germany.
2001 “Languages of 82%”, Galleri Tommy Lund, Cph., Denmark.
2000 “All of the Houses in the Area…”, Whitney ISP, Open Studios.
New York, USA.
1999 “Safety Guarantee”, Akershus Kunstnersenter, Oslo, Norway.
1998 “Fredstidsbenyttelse” (Safetyguarantee), at MFKOKM, Cph., Denmark.
1998 “Withinwithout” (with Karin Lind) at Galleri Tommy Lund, Odense,Denmark.
1996 “Evening Piece”, Galleri Campbells Occasionally, Cph., Denmark.
1995 “Double Feature” (with Andrea Creutz and Gunvor Vibe Pedersen)at Globe’s, Cph. (Denmark)
GROUP EXHIBITIONS (in selection)
2013 in “Without Reality there is no Utopia” to the American Museum Yerbabuena Center for the Arts in San Francisco, USA.
2012 in One Day Everything Will Be Free, SALT, Istanbul, Turkey. Curated by Joseph Redwood-Martinez.
2012 in The National Museum, Copenhagen, Denmark.
2012 “Video of the Month” @ NBK - Neue Berliner Kunstverein, Berlin. Curated by Katrin Becker.
2012 in “Press Play”, Fondazione Sandretto Rebaudengo, Turin, Itali. Curated by Irene Calderoni.
2011 in Red Hood / CSS Bard with intervention & essay “Hard Drive”. New York, USA. Edited by Tirdad Zolgadr.
2011 in PERFORMA 11, Performa, MoMa, New York City, NY. Curated by Sabine Breitweiser.
2011 in DOLLSHOUSE, Galleri Christoffer Egelund, organized by Dorte Jelstrup, Copenhagen, Denmark.
2011 in All That Fits: The Aesthetics of Journalism, QUAD, Derby.
2011 in WITHOUT REALITY THERE IS NO UTOPIA, Centro Andaluz de Arte
Contemporaneo – CAAC, Sevilla, Spain. Curated by Juan Antonio Álvarez
2011 in GELD, Gallerie RECEPTION, Christine Heidemann, Berlin.
2010 Hem Ljuva Hem/Home Sweet home, Konsthal C, curated by Kim Einarsson,
2010 Best Laid Plans, The Drawing Room, curated by Cylena Simonds et al,
2010 Publics and Counterpublics, Centro Andaluz de Arte Contemporaneo –
CAAC, Sevilla, curated by Juan Antonio Álvarez Reyes.
2010 TUMULT, festival for contemporary art on Lolland, Falster and Møn,
curated by Christian Skovbjerg Jensen.
2010 Power Games - Ludwig Museum, Budapest
2010 “… in a most dangerous manner” , SPACES, curated by Steven Lam,
2009-2010 Avant-Guide New York, Apex Art, curated by Sandra Scurvida, New York.
2009 Fri Porto, Den Fri Udstillingsbygning, Copenhagen.
2009 “If You read This I’ll Give it to You”, project in public space hosted
by Research Institute for Cosmopolitan Cultures, University of
Manchester, and The Salford Restoration Office.
2008/2010 in The Greenroom, CCS Bard, Hessel Museum, Annandale-on-Hudson (Cat.)
2008-2009 in Coming to You LIVE, Art in General (Bloomberg Building), New York.
2008 in The 6th Taipei Biennial, Taipei Fine Arts Museum, Taiwan. (Cat.)
2008 in October Salon, 49th edition, Belgrade Cultural Centre, Belgrade.
2008 in REALITY EFFECTS, Henie Onstad Kunstsenter, Hovikodden, Oslo.
2008 in City as Screen, Roskilde Kunstmuseum.
2008 in Socle Du Monde, Herning Kunstmuseum, Denmark.
2008 in Moirés, Kunstraum Leuphania Universitet Lüneburg.
2008 in War Stories, MassArt, Massachusetts, USA
2008 in Danskjävlar, a Swedish Love Story, Charlottenborg, Copenhagen.
2007 in DOCUMENTA12 (with David Thorne, Ashley Hunt, Sharon Hayes and Andrea
Geyer), Kassel, Germany.
2007 in City of Ideas, Gallway, Ireland.
2007 in This Way, Brandts Klædefabrik, Odense.
2007 in Äkta Vara, Röda Sten, Gothernburg, Sweden.
2007 in Paradox and Praxis, University Art Gallery, UC Irvine, L.A., USA.
2006 in How to Build a Universe That Doesn’t Fall Apart Two Days Later,
CCA Watts Institute,
2006 in Last Lives of The Universe, SMART Project Space Oct 21st–Nov 18th
2006 in Vissible Blindness, SVT, Stockholm, Sweden.
2006 in Eine Frage [Nach]Der Geste / A Question[ing] Of The Gesture,
Leipzig Oper, Leipzig.
2006 in Fantom, Charlottenborgs Udstillingsbygning, København.
2006 in Periferic 7 Biennial for Contemporary Art, Iasi, Rumenia.
2006 in How to do Things…, Bucharest, Rumenia / Bethanien,
2006 in You tell me – or: What happens when the artist says “we”?, Artist
2006 in Capital (it fails us now), Kunstihoone, Tallinn, Estonia (Cat.)
2005 in Capital (it fails us now), UKS, Oslo, NO. (Cat.)
2005 in Handlungsformaten / Formats for Action, Neuer Berliner Kunstverein &
Göttingen Kunstverein (Cat.)
2005 in Whatever Happened to Social Democracy?, Roooseum, Malmö, Sweden.
2004 in CYCLE TRACKS WILL ABOUND IN UTOPIA, Australian Centre for
Contemporary Art, Australia (Cat.)
, curated by Juliana Engberg.
2004 in New City, INK / Institute for Contemporary Art, Copenhagen, Denmark
2004 in Svenska Hjärtan (Swedish Heart), Moderna Museet, Stockholm, SE.
2004 in MONUMENT, Cph. DK.
2004 in Password, CCGA, Tokyo, Japan (Cat.)
2004 in Writers and Painters Denmark, Brandts Klædefabrik, Odense.
Charlottenborg, Cph. Denmark (Cat.)
2003 in Appropriated Spaces, Wolfsburg Kunstverein, Wolfsburg,
2003 in Breaking the Law, Sparwasser, Berlin.
2003 in Spaces of Valencies, Bratislava, Slovakia.
2003 in www.WOMEN2003.org, billboardproject in Copenhagen / Malmö.
2003 in Feast/Hospitality, Rum46, Aarhus, Denmark.
2002 in Rent-a-bench, Los Angeles (Cat.)
2002 in Esplanaden II, Charlottenborg, Denmark (Cat.)
2002 in Social Sectors, Exnergasse, Vienna, Austria (Cat.)
2002 in The Collective Unconscious, MIGROS Museum, Zürich, Switzerland
2002 in Blind Date I, dialogue exhibition-project. Brandts Klædefabrik,
¨ DK (Cat.)
2001 in Young Nordic Art Biennial, Göteborg, Sweden (Cat.)
2001 in 3rd Sector (with Women down the Pub), Wolfsburg Kunsthalle and
Leipzig Kunsthalle, G. (Cat.)
2001 in Husrum, Madsnedø Fortet (an old military defence building), Denmark
2001 in Get That Balance, (with LAB), Hamburg, Germany
2001 in Quality Street, Galleri Tommy Lund, Cph. Denmark
2001 in Take Off, Generational exhibition at Aarhus Art Museum. Århus,
2001 in Esplanaden I, Kunsthallen, Copenhagen, Denmark
2000 in alt. exhibition to The Havana Bienial 2000, Havana, Cuba
2000 in Efterårsudstillingen with the group “Women Down the Pub”, DK (Cat.)
2000 in AUSSENDIENST, at Hamburg Kunsthalle, a (city)site-specifik show in
2000 in Century of Innocence - The History of the White Monocrome, at Rooseum, Malmö, Sweden (Cat.)
2000 in The North, Kunsthalle Wien, Vienna, Austria (Cat.)
2000 in Momentum - Biennale for recent Nordic Art (with Francois Bucher),
2000 in Models of Resistance, Overgaden, organized by GLOBE. Copenhagen DK
2000 in ArtGenda (with Christina Prip), Helsinki, Finland (Cat.)
2000 in Art Primeur, Dordrecht, The Netherlands (Cat.)
2000 in LAB - because you deserve it with the group LAB at Overgaden, Cph.
1999 “Someone to watch…” in videoprogram at the National Gallery for
Fine Art Cph. Denmark (Cat.)
1999 “Kahve & Kulüp”, in StreetSharks Biennalen, Körners Kontor. Cph.
1999 in 24 Heures De Luxe , B&B Unlimited, at Hotel Scribe, Paris.
1998 Who’s the Doctor?, (with the group “Women Down the Pub”: Andrea Creutz,
Kirstine Roepsdorff, Åsa Sonjasdotter), at Kvinfo, Forum, Cph. Denmark
1998 in Boomerang, Nikolaj - Copenhagen Exhibition Space for Contemporary
Art, Denmark (Cat.)
1998 in Nuit Blanche (in video program, with LAB) Musée de L’Art Moderne de
la Ville de Paris, F. (Cat.)
1996 in D.I.Y. – Mapping & Instructions, Bricks and Kicks, Vienna, (Cat.)
1996 in Abstract 96, by Saga Basement, Forum, Malmö. Sweden.
1999-2000 The Whitney Independent Study Program, New York.
1994-1999 The Royal Academy for Fine Arts, Copenhagen: Department for Media Art.
1992-94 The Royal Academy for Fine Arts: School of Architecture.
1990-97 University of Cph.: Literature & Cultural Studies / Roskilde University
2008- Professor for Conceptual and Mixed-media Based Practices at Sculpture Dpt., The Royal Danish Art Academy, Copenhagen.
2006–2007 Research Fellow at The New School University, Vera List Centre, New
2006 Research professor, Aarhus University, Dpt. for Art History and
2004-2006 Part-time Professor at Jutland Art Academy, Aarhus, Denmark.
2003-2006 Visiting Professor at Dept. for Conceptual Art and Media, Umeå
University, Umeå, Sweden.
2009: Guest-curator / editor of Printed Project #12, Visual Artists Ireland
2002: with Simon Sheikh: We are all normal (and we want our freedom), a collection of 58 artists texts from the Nordic countries (in English). 411 pages, published by Black Dog Publishing, London.
1996-2003: editor of “Øjeblikket” — a (Danish) magazine for art and visual cultures.
Have written articles for Øjeblikket about architectural relations, spatial constructions and narratives, especially in relation to gender; urban planning and mythology, ideas and articulations of space, site and non-site, mapping, tourism, suburbia, commodity, language, desire and image in late-capitalism, a well as constructions of identity in relation to consumer culture.
Since 1998: Editor and/or publisher of the OE Critical Reader-series (in English) in collaboration with b_books, Berlin: The Meaning of Site, RENT, Deathdrive, The TVideo-politics of JL Godard, In the Place of the Public Sphere, Capital (It Fails Us Now), and Here&Elsewhere (under production)
CURATOR / ORGANIZER
Women Down the Pub