KATYA SANDER
My work is about production and circulation of social imaginaries, i.e. ways in which we imagine ourselves.
It often involves investigating or questioning production of spectatorship: Systems and structures of presentation and circulation of both images as well as the bodies these images address, depict or exclude.
In this, I often work with questions of address, desire and language in relation to architecture, public space, speech, view, landscape, cinema, abstraction and power.
For more information, see http://archive.katyasander.net/
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8 posts tagged exhibitions
9 Scripts from a nation at war - exhibition up at MoMa NY until August 6th 2012. Remember to se it if you’re in New York!
Arika12: Copying without Copying
A Tramway co-production
24th of March 2012 7PM-9PM
How do we understand a situation: read about it, watch something? What if we just repeat it / ourselves verbatim: embody it? Or: 3 days of copying and simulacra, replication, repetition, re-inscription and re-animation…in performed installations or film-lectures, learning plays or readings.
Featuring Andrea Geyer, Ashley Hunt, a new learning play by Chto Delat? and Combatant Status Review Tribunal pp. 002954–003064: A Public Reading.
Press Play. L’arte e i mezzi d’informazione
2 February - 6 May 2012
With:
Bani Abidi, Black Audio Film Collective, Thomas Demand, Hans-PeterFeldmann, Alessandro Gagliardo, Thomas Hirschhorn, Pierre Huyghe,Jon Kessler, Steve McQueen, Alessandro Quaranta, Katya Sander, DoronSolomons, Thomas Struth, Fiona Tan, Artur Zmjiewski.
Performa 11, MoMa
“Combatant Status Review Tribunals pp.002954–003064: A Public Reading”.
November 12–13, 2011
Performa Festival
MoMa, New York
Read more about the CSRT-Readings and 9 Scripts from a Nation at War.
Without Reality there is no Utopia
Centro Andaluz de Arte Contemporáneo, Spain
14 April - 12 June 2011
Showing “What is Capitalism?”
Read more about “What is Capitalism?”.
The Usefulness of Inadequate Models
performance-lecture in Hem Ljuva Hem/Home Sweet Home, Konsthal C, Stockholm.
