KATYA SANDER

My work is about production and circulation of social imaginaries, i.e. ways in which we imagine ourselves.

It often involves investigating or questioning production of spectatorship: Systems and structures of presentation and circulation of both images as well as the bodies these images address, depict or exclude.

In this, I often work with questions of address, desire and language in relation to architecture, public space, speech, view, landscape, cinema, abstraction and power.

For more information, see http://archive.katyasander.net/

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A Glossary of Possible Gestures


Slideshow of documentation. London version (2010).

TELEVISED 1: THE I; THE ANCHOR AND THE  STUDIO

2006

Installation-view of double-channel video, part of 6-channel installation, produced in Bucharest; Rumenia.

TELEVISED 1: THE I, THE ANCHOR AND THE STUDIO

2006

Installation-view of double-channel video, part of 6-channel installation, produced in Bucharest; Rumenia.

TELEVISED 1: THE I, THE ANCHOR AND THE STUDIO

2006

Installation-view of double-channel video, part of 6-channel installation, produced in Bucharest; Rumenia.

EXTERIOR CITY

2005

23 minutes

Made for installation: A cinema-space that changes scale; it goes from 1:1 (entrance) to 1:2 (screen). Floor, walls, benches etc. become smaller and smaller as one moves into the space.

WHAT IS CAPITALISM?
2003 

Single-channel video, made for installation between two mirrors.

Double Cinema

(single-channel version)

2001

Se more about Double Cinema on  http://archive.katyasander.net/works/doublecinema.html 

Someone to Watch Over Me - 1997

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