KATYA SANDER

My work is about production and circulation of social imaginaries, i.e. ways and institutions in which we imagine ourselves and what we do to sustain (or escape) these.

It often involves questioning production of spectatorship: Systems and structures of presentation and circulation of both images as well as the bodies these images address, depict or exclude.

I ask questions of address, desire and language in relation to contexts such as architecture, public space, speech, view, landscape, cinema, abstraction and power.

For more information, see http://archive.katyasander.net/

Follow me on @katyasander

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44 posts tagged works

Detail, Detail, Detail,

THE 100 MOST WATCHED (1998) - Wallpainting for Sørlandets Kunstmuseum, for the show “The Beginning is Always Today. Contemporary Feminist Art” September 21st 2013- January 19th 2014

The text on the wall:

"In the future, she, a paraplegic war veteran, is brought to another planet, which is inhabited by a humanoid race with their own language and culture. She gathers intel for the cooperating military unit while simultaneously attempting to infiltrate the native 

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CALIBAN, THE SHAPE OF THINGS

First tests for new project on supermarkets and the way we are shaped by what we touch @ Kunstdialoger, Trondheim.

See also: http://trondheimkunsthall.com/news/Things-made-of-plastic-or-The-end

A Landscape of Known Facts was made for installation in a circular cinema-space. The projector is placed in the middle and rotates slowly, in the same speed as the image pans, but the opposite direction. Thus, it seems as if the landscapes are still, and only the beam of the projector moves slowly over them, as if it were light, and they were already out there in the darkness.

Originally produced for soloshow at Project Art Spac in Dublin, Ireland. Curated by Tessa Giblin.

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TELEVISED 1: THE I; THE ANCHOR AND THE  STUDIO

2006

Installation-view of double-channel video, part of 6-channel installation, produced in Bucharest; Rumenia.

TELEVISED 1: THE I, THE ANCHOR AND THE STUDIO

2006

Installation-view of double-channel video, part of 6-channel installation, produced in Bucharest; Rumenia.

TELEVISED 1: THE I, THE ANCHOR AND THE STUDIO

2006

Installation-view of double-channel video, part of 6-channel installation, produced in Bucharest; Rumenia.

WHAT IS CAPITALISM?
2003 

Single-channel video, made for installation between two mirrors.

Someone to Watch Over Me - 1997

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